Get Outside with Peter Harrington Rare Books

Get Outside with Peter Harrington Rare Books

This summer we’ve been blessed with fine weather in London, leading many of our booksellers and customers to daydream of spending less time in their libraries and more time in the great outdoors in the English countryside. The works collected here will take you from the canals of Northamptonshire to the mountains of the Cairngorms and reflect the dynamic world of nature writing still flourishing today.

The writers on our shelves often turned to nature as a place to escape, either to focus on their magnum opus or as the basis of that work itself. In the late 18th and early 19th centuries such holidaying was becoming a more accessible pastime for the middle classes, and accordingly “tour” books began to come into vogue.

The “picturesque tour” in particular flourished at times when travel to the European continent was made difficult, such as the 1790s into the 1820s, during which times seekers of natural enrichment turned to remote areas of the English countryside on the romantic hunt for nature untouched by man.

These “tours” detailed places of note to visit in the form of a narrative of the author’s own travels through the English countryside, and can be seen as a predecessor to the modern tour guide. Their focus varied from the natural world to religious or antiquarian interests, and they were often highly illustrated, as with Fielding and Walton’s A Picturesque Tour of the English Lakes (1821), listed below. The desire to escape the city to the wilderness hasn’t faded, and here at Peter Harrington we can’t help but to have turned to our bookshelves for inspiration.

Walk the Canals and Valleys of  the English Countryside

HASSELL, John. Tour of the Grand Junction

John Hassell’s Tour of the Grand Junction, published in 1819, provides an illustrated travelogue exploring the route of the Grand Junction Canal between Northamptonshire and London, much of which is still walkable. Hassell, a watercolour artist and engraver produced several illustrated guidebooks to the English countryside. This work reflects the growing public interest in the new system of transport engendered by the Industrial Revolution.

Rare book first edition of Hassell's illustrated travelogue, Tour of the Grand Junction.
Rare book The Natural History and Antiquities of Selborne by Gilbert White.

WHITE, Gilbert. The Natural History and Antiquities of Selborne

Gilbert White’s The Natural History and Antiquities of Selborne is considered one of the great English books of the 18th century, and was “the first book which raised natural history into the region of literature”. It provides a guide to the attractive village of Selborne in East Hampshire, and records White’s observations on local animals, birds, and plant life. His house in the village is now open to the public, and a walk through the churchyard takes you to the Oakhanger Stream valley, part of the Gilbert White circular walk.

NOBLE, W. B. A Guide to the Watering Places, on the Coast, between the Exe and the Dart

If the heat has you longing for a cooling dip then look to William Bonneau Noble’s illustrations to Croydon’s A Guide to the Watering Places, on the Coast, between the Exe and the Dart (1817-18). This guide takes the reader on a tour of the spa towns in Devon, including the still popular holiday spot of Dawlish. The work features an engraved map as a frontispiece, which provides a perfect starting point for planning your walk-cum-swim in the south-west.

1st edition book, A Guide to the Watering Places by W.B. Noble.
1st edition book of A Picturesque Tour of the English Lakes, rare book. Showing illustrated plates of lakes in the English countryside.

FIELDING, T. H., & J. Walton. A Picturesque Tour of the English Lakes

If coastal swimming is not for you, try Fielding and Walton’s A Picturesque Tour of the English Lakes (1821). The book, published for dedicated tourists wanting to plan informed tours of the Lake District, features 48 hand-coloured aquatints which give a magnificent sense of the district. Fielding and Walton spent two years in the area making drawings and collecting information, and the work provides in their words, “a description of all that is interesting and remarkable in the nature and appearance of the country”. And fear not – Wordsworth is quoted extensively.

THOMAS, Edward. In Pursuit of Spring

If you’d rather cycle the English countryside, then Edward Thomas’s 1914 work In Pursuit of Spring could be the perfect inspiration. In this work, Thomas provides an account of his week-long bicycle ride from Central London out into the Quantock Hills in Somerset. It is often considered the best of Thomas’s country books, and mixes “observation, information, stories, portraits, self-portraits, literary criticism, folk-tales, and reflection” (ODNB).

First edition rare book, Birds in London. A seminal work of nature writing.

HUDSON, W. H. Birds in London

Staying in London is always an option – especially with William Henry Hudson’s Birds in London in hand (not literally, please leave your first editions at home when heading into the wilds). The study marks a wider shift in birding, away from hunting and taxidermy, towards observation and conservation. Hudson was writing “during an era of rapid metropolitan expansion, and worried that many of London’s ‘hidden rustic spots’ faced imminent obliteration”. He was consequently a moving force in the foundation of the Royal Society for the Protection of Birds, whose guides to birdwatching, including within the capital, are invaluable for any ornithological trip.

SHEPHERD, Nan. The Living Mountain

If the heat is getting a bit much and you are daydreaming of the cooler climes of Scotland, maybe Nan Shepherd’s The Living Mountain is for you. The work is regarded as a masterpiece of nature writing and takes you on a personal journey through the range, meditating on how one explores and experiences the mountains. Her sole poetry collection, In the Cairngorms, draws on these aspects of her beloved mountain range, and is recommended reading for any ascent.

1st edition of Nan Shepherd's The Living Mountain. A testament to the mountains of the Scottish countryside.
First and sole edition of Mary Butts', Warning to Hikers. A guide to hikers in the English countryside.

BUTTS, Mary. Warning to Hikers.

But perhaps instead of grabbing our walking boots to follow some of the authors above we should be heeding the words of the modernist author Mary Butts’s Warning to Hikers. The work laments what Butts describes as a “growing ‘cult of nature’, a term she used to describe the use of the English countryside not as a place to live in” but to visit, decries the impact of industrialisation and the uniformity of production that it has caused, and ponders the impact of the hobby of hiking on the rural environment.

We hope this selection has helped spark your imagination for your next walk, swim, cycle, or hike through the English countryside. Browse our shelves for many more works of nature writing and guides to the countryside, and for more literary walking inspiration take a look at our blog Five Forests in Literature, which includes the eminently visitable Ashdown Forest, celebrated as The Hundred Acre Wood in Milne’s Winnie-the-Pooh works.
Nature Domesticated: A Victorian Seaweed Scrapbook

Nature Domesticated: A Victorian Seaweed Scrapbook

Seaweed Scrapbook

As children many of us will have collected flowers to press between the pages of books and, if we were very organised, gathered them into scrapbooks. But how many have done the same with seaweed? During the Victorian era seaweed collecting was a popular occupation for young ladies. It was a Romantic, but sentimental and safely domesticated, way to explore the natural world for women who were not expected to study science for its own sake, but as a social accomplishment. The present scrapbook (book sold) is an early Victorian example containing thirty-four artfully arranged specimens of red, green, and brown seaweeds. Its upper cover is embossed with the name Miss Mary Carrington, but we not not sure whether she was the collector or perhaps the recipient of the completed scrapbook.

Seaweed Scrapbook

What was so appealing about seaweed collecting that it became a popular hobby? For the Victorians, the natural world was inextricably tied to religious and moral edification, with amateur collectors drawn to its study “as a culturally approved form of recreation… seen as aesthetically pleasing, educational and morally beneficial, since lifted the mind to a new appreciation of God”. “Queen Victoria as a young girl made a seaweed album; later in the century, materials for such an album could be purchased at seaside shops like that of Mary Wyatt in Torquay, who specialized in natural souvenirs” (Logan, The Victorian Parlour, pages 144 & 124).

Seaweed Scrapbook

Mounting the seaweed allowed the hobbyist a level of aesthetic freedom, as they were expected to artfully arrange the samples rather than simply pasting them into a book.

“In the late 19th Century, the book Sea Mosses: A Collector’s Guide and an Introduction to the Study of Marine Algae by A. B. Hervey outlined how to properly press and mount various types of algae. The tools needed are a pair of pliers, scissors, a stick with a needle in the end, at least two ‘wash bowls,’ botanist’s ‘drying paper,’ or some kind of blotting paper, cotton cloth, and finally cards to mount the specimens on. Pliers and scissors are used to handle the specimens and cut away any extraneous, ‘superfluous’ branches, and the needle is used like a pencil so that the plant can be moved around with relative ease to show the finer details… The drying and pressing process consists of layering the mounting papers with various types of blotting cloth and additional paper topped with weights… Most seaweed in this case will adhere to the mounting board via gelatinous materials emitted from the plant itself” (Harvard University, Mary A. Robinson online exhibition).

The creator of this scrapbook must have followed a similar set of instructions, as each specimen is carefully fanned out to achieve a naturalistic beauty and symmetry, and no adhesives have been used.

This delicate process exposed not only the beauty of the seaweed, but reflected the character of the collector. Nature was at the centre of the Victorian domestic imagination, and “one reason for the appearance of various representations of the natural world in the parlour… was a continuing apprehension of the world as beautiful – or at least a continuing prestige attached to those who were sensible of that beauty” (Logan, p. 142). In other words, collecting and carefully arranging seaweed demonstrated the participant’s refined sensibilities and her appreciation of nature’s more subtle forms of beauty.

For more on scrapbooking see our related posts on a Jazz Age scrapbook and a Victorian illustration scrapbook. And to learn about another Victorian hobby see Painting by Words: The Original Drawings of Charlotte Brontë.

Seaweed Scrapbook

Seaweed Scrapbook

Seaweed Scrapbook