The Book that Changed Europe: Picart & Bernard’s Religious Ceremonies of the World – Peter Harrington Blog

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The Book that Changed Europe: Picart & Bernard’s Religious Ceremonies of the World

Dedication of the Portugese Jewish Synagogue - Picart - Religious Ceremonies

The dedication of the Synagogue of the Portuguese (Sephardic) Jews in Amsterdam. Picart & Bernard’s Religious Ceremonies, first English edition, 1733-37.

Between the Reformation and the beginning of the 18th century, Europe endured two centuries of strife and bloodshed in the name of religion – riots, civil wars, and international conflicts, draconian religious laws, and the persecution and often execution of those viewed as heretics.  But another revolution was beginning, and the year 1723 saw the publication of a masterpiece that “marked a major turning point in European attitudes toward religious belief and hence the sacred” (Hunt, Jacob & Mijnhardt, The Book that Changed Europe, p. 1).

The monumental Ceremonies and Religious Customs of the Various Nations was the result of a collaboration between two of Amsterdam’s great minds: Europe’s leading engraver Bernard Picart, who designed the book’s illustrations and whose name appeared on the title page, and Jean Frederic Bernard, the publisher who compiled, edited, and contributed original essays to the contents, but who remained anonymous. Both men were Protestant refugees driven from France by the Counter-Reformation, Bernard a member of a long-established Provencal Huguenot family and Picart a mid-life convert from Paris. As two centuries of religious turmoil upended old assumptions about faith, Amsterdam became a focal point for tolerance and free-thinking, and in this fertile milieu the two men produced one of the world’s greatest religious books.

Picart & Bernard - Religious Ceremonies

The first English language edition of Picart & Bernard’s Religious Ceremonies of the World, published between 1733 and 37. This copy exquisitely bound in red straight-grain morocco.

Born in France in 1680, Jean Frederic Bernard moved to Amsterdam with his family in 1686. He became a full member of the bookseller’s guild in 1711 and though he “possessed a good business acumen, books for him were more than just a business. He became a highly selective publisher with a small catalogue dominated by free-spirited theological inquiry and travel literature” (Hunt p. 94). The trials his family faced in France, and their dangerous journey to Amsterdam, deeply affected the young man, who developed “a lifelong doubt about the value of established religion, and a quest for religion’s underlying essence” (Hunt p. 95). He believed that it was his role as publisher and author to provide readers with “the information necessary to find their way out of the labyrinth of delusions and begin to decide religious matters for themselves” (Hunt p. 106).

Catholic High Mass - Picart & Bernard's Religious Ceremonies

Catholic High Mass.

After a decade in publishing, Bernard announced in 1720 a grand plan for a religious encyclopaedia. Eventually comprising seven volumes and more than 200 engraved plates, The Religious Ceremonies was a massive undertaking and the culmination of his life-long interest in religion. By presenting the world’s religions as equally deserving of toleration and intellectual understanding, he ultimately made the case that there existed among all peoples a pure “natural religion” distinct from the elaborate and sometimes immoral practices imposed by the priestly castes. To accomplish this he compiled the most up-to-date and accurate sources on all known religions and added his own commentary emphasising similarities and tolerance. While guiding the reader with careful juxtapositions he also maintained an academic distance from the subject, allowing his sources to speak for themselves and the reader to make up his own mind.

Anglicans in St Paul's - Picart & Bernard's Religious Ceremonies

Anglicans worshiping in St. Paul’s Cathedral.

Just as influential as the text, Picart’s engravings were small masterpieces, drawn from life wherever possible and otherwise taken respectfully from the most authentic sources. “He insisted on capturing every detail of dress and ceremonial disposition. This level of accuracy was essential to the credibility of comparisons between religious practices that were developed in the text” (Hunt p. 147). At the same time, the engraver “constantly strove to make foreign deities, practices or processions more palatable to European viewers while still remaining true to the sources. He achieved this effect in various ways: “by putting unfamiliar deities on classical pedestals, by excluding the scenes of greatest violence depicted by his predecessors, by promoting a sense of identification with those depicted, and ultimately, by setting up subtle comparisons between Western and non-Western, civilized and savage, or Christian and pagan rituals” (Hunt p. 150).

Marriage and Divorce of the Canadian Natives - Picart & Bernard's Religious Ceremonies

Marriage and divorce ceremonies of the natives of Canada. Picart used the European style rug and classical poses to make this religion seem less foreign to European readers.

Hindu deities - Picart & Bernard's Religious Ceremonies

Hindu deities, one holding recognisable European musical instruments.

The first volume of the series, on Judaism, was a model of respectful inquiry. Even in liberal Amsterdam Jews still faced stereotyping and oppression, but Bernard would “treat Judaism as a kind of prototypical religion, comparable to all others, including Christianity”, and his descriptions of Jewish lifestyles and customs captured “the diversity of Jewish demeanor and behavior” (Hunt p. 187). Picart, taking advantage of his connections in the book trade, “worked hard to gain admission to Shepardic ceremonies in Amsterdam, which he then drew from life. In his depictions of Jewish rituals he did everything possible to evoke an affirmative response in the viewer”. The most significant of his engravings was the Passover Seder; as an outsider he spent four years seeking admission to private homes before being allowed to view the ceremony. The resulting engravings are sensitively drawn portraits of a persecuted minority, and are now considered among the best sources for contemporary Dutch Jewish culture.

The Passover Seder - Picart & Bernard's Religious Ceremonies

The Passover Seder of the Portugese (Sephardic) Jews by Picart. This image was drawn from life and so skillfully engraved that individual family members were recognisable.

Jewish rituals - Picart & Bernard's Religious Ceremonies

The Procession of Palms and a feast, both part of the Feast of Tabernacles, or Sukkot.

The other volumes display the same quest for accuracy and understanding while advancing Bernard’s belief that the problems with religion were created by priesthoods. Though other commentators had painted all Chinese adherents as either idolaters or atheists, Bernard took a different route. In a clear analogy with European history he described how the common people had over time been taken in by priests and been made idolaters, but that the literati had seen through the establishment’s manipulation. The accompanying images depict Chinese goddesses who are strikingly similar to the Virgin Mary.

Chinese worshippers - Picart & bernard's Religious Ceremonies

Chinese deities and worshipers. The goddeses have been depicted as looking similar to European versions of the Virgin Mary, a clear reference to Catholicism.

Similarly, the sections on the Americas and Eastern religions both “begin with essays that emphasize commonalities… Analogies with European practices abound. The polygamy found in the Americas, for example, is ‘the polygamy of the ancient Jews’” (Hunt p. 221). And although most of Picart’s sources for the Americas graphically depicted warfare, human sacrifice, and cannibalism, the engraver instead focused on the scenes before and after such events, moments that readers would more easily identify with.

Native Americans of Florida Mourning the Dead - Picart & Bernard's Religious Ceremonies

Native Americans of Florida mourning the dead lost in battle.

Native American sacrifices - Picart & Bernard's Religious Ceremonies

Native American sacrifices. In the scene at the top Picart has chosen to depict only the moment prior to the human sacrifice, rather than the act itself.

Even in their approach to Catholicism the two men were objective, presenting a detailed, accurate, and generally unbiased account that would stand in fair comparison with other cultures.

Catholic Ceremonies - Picart & bernard's Religious ceremonies

Despite their opposition to the Catholic Church, Bernard and Picart presented both its good and bad sides. These scenes depict happy worshipers at intimate Catholic Ceremonies, the washing of the feet on Holy Thursday and the Adoration of the Cross on Good Friday. But the authors also included sinister Inquisition scenes such as the ones below.

The Inquisition - Picart & Bernard's Religious Ceremonies

The Inquisition.

Despite its radical perspective and prohibitive cost, Ceremonies and Religious Customs of the World became a publishing phenomenon, selling out in the first edition of 1200 copies and remaining a bestseller for the next century. The English edition of 800 copies was published between 1733 and 1737 with Bernard’s approval, and sold so well that a single-volume edition was published in 1741. While the English translator expurgated some of the most heretical passages, the translation is, unlike many piracies and later editions, true to Bernard and Picart’s vision.

In all its editions the book “had an astonishing afterlife. It helped create the field of the comparative history of religion, and to this day its engravings still appear in museum exhibits as documentation for religious customs” (Hunt p. 19). As a reference book it was unprecedented; “no other work before then had ever attempted, in word and image, such a grand sweep of human religions” (Hunt p. 1). But as a meditation on culture it was revolutionary. “It sowed the radical idea that religions could be compared on equal terms, and therefore that all religions were equally worthy of respect – and criticism. It turned belief in one unique, absolute, and God-given truth into ‘religion’, that is, into individual ceremonies and customs that reflected the truths relative to each people and culture… The earthly, secular sphere where bookmen, like other mortals, plied their trade could no longer so easily be engulfed by religious demands and sacred edicts, potential obstacles blocking critical thinking or tolerant behavior” (Hunt p. 2).

Below the fold, additional images from Bernard and Picart’s Ceremonies and Religious Customs.

To view this book in stock click here, and for more information see The Book that Changed Europe: Picart & Bernard’s Religious Ceremonies of the World.

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Tomb of Virginian Native Americans - Picart & Bernard's Religious Ceremonies

Tomb of the Virginian Monarchs depicts a Native American burial practice.

Wife of a Turkish Sultan - Picart & Bernard' s Religious Ceremonies

The wife of a Turkish Sultan.

Sufi Dervishes - Picart & Bernard's Religious Ceremonies

Sufi Dervishes.

Anabaptists - Picart & Bernard's Religious Ceremonies

Anabaptists.

Quakers in London - Picart & Bernard's Religious Ceremonies

Quakers in London and Amsterdam.

English ceremonies - Picart * bernard's Religious Ceremonies

English ceremonies, including baptism, prayers said for a woman going to child-bed, and a funeral.

Customs of the people of Guinea - Picart & Bernard's Religious Ceremonies

Customs of the people of Guinea.

Ceremonies of Guinea - Picart & Bernard's Religious Ceremonies

Ceremonies of Guinea.

Chinese Deities - Picart & Bernard's Religious Ceremonies

Chinese Deities.

 

A Japanese Temple - Picart & Bernard's Religious Ceremonies

A Japanese Temple.

Faquirs - Picart & Bernard's Religious Ceremonies

Faquirs, mendicant monks of Asia.

 

 

 

 

 

 

 

 

 

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1 Comment

  1. Lex Raat

    April 13, 2013 at 1:03 pm

    Unfortunately the book on Picard and Bernard’s Ceremonies that preceded Lynn Hunt, Magareth Jacob and Wijnand Mijnhardt’s studies is not mentioned in the entry. In 2006 Paolo von Wyss-Giacosa published her monumental and richly illustrated thesis Religions-Bilder der fruehen Aufklaerung (Benteli Verlags, Bern). Mrs Von Wyss studied the Picart plates in the Ceremonies and compared these with earlier illustrations that were the sources for the Picart engravings. In every review of the Ceremonies her book earns to be mentioned together with the later published studies of the above mentioned authors. For example the Faquir plate is thoroughly discussed from page 187 to 200.

    I think it is funny that the Faquir plate shown in the blog is taken not taken form Picart and Bernard but from the bowlerized version of the Ceremonies, which appeared in 1741 in Paris. Two clerics plagiarized and censored the original Picard and Bernard version. The Faquir plate of the hinduistic ascese practice was also censored. The above shown engraving is the reverse version of the original Picart engraving. The original illustration shows the faquir with the long hair on the far right with a woman who is kissing his male genitals. I take the risk of being censored by showing the detail from the original Picart print.

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