Search results for: 'HOGARTH, William'
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HOGARTH, WILLIAM. And the child grew......And she called him Moses.
1822
And the child grew and she brought him into Pharaohs daughter, and he became her son. And she called him Moses.
The painting upon which this large engraving is based was created by William Hogarth for his favourite charity, the Foundling Hospital. It was jointly engraved and etched by William Hogarth and Luke Sullivan, an etcher who worked for... Learn More£195.00Stock Code: 55783
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HOGARTH, William. The Lecture, or The Lecture on the Empty Space.
1822
Two prints, on one sheet. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. "The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved... Learn More£95.00Stock Code: 59043
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HOGARTH, WILLIAM. And the child grew......And she called him Moses.
1806
And the child grew and she brought him into Pharaohs daughter, and he became her son. And she called him Moses.
The painting upon which this engraving is based was created by William Hogarth for his favourite charity, the Foundling Hospital.
The scene depicts the boy Moses being entrusted by his mother, dressed as a nurse, to the care... Learn More£95.00Stock Code: 56639
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HOGARTH, William. The Man of Taste / Rich's Triumphant Entry
1822, Heath edition.
Two prints, on one sheet. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. "The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original... Learn More£95.00Stock Code: 59041
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HOGARTH, William. Six Tickets<br><br>
1822
Six tickets on one plate. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. "The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved... Learn More£95.00Stock Code: 59046
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HOGARTH, William. Receipt for March to Finchley, The Farmer's Return<br><br>
1822
Two prints on one page. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. "The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved... Learn More£95.00Stock Code: 59047
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Artist: HOGARTH, William John Wilkes Esq. Drawn from Life and Etch'd in Aquaforts by Willm. Hogarth
1762, Heath edition 1822.
John Wilkes Esquire (1727-1797) was a member of Parliament and a political agitator. In 1762 he founded The North Briton, a publication that consistently attacked the government of Lord Bute, the King and the artistic work of William Hogarth. He was twice expelled from the House of Commons but was re-elected by popular support. Such popularity made... Learn More£95.00Stock Code: 57368
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HOGARTH, William (engr.) The Right Hon. Henry Fox, Lord Holland /The Right Hon. James Caulfield, Earl of Charlemont.
1822
The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. "The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. Learn More£95.00Stock Code: 59050
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HOGARTH, William (engr.) Debates on Palmistry. The Stay Maker.
1822
Two plates from The Works of William Hogarth. Original Plates restored by James Heath, &c. Heath was the last printer to print directly from Hogarth's original engraved plates. Learn More£150.00Stock Code: 56628
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HOGARTH, William, & T. Cook (engr.) King Henry the Eighth & Anna Bullen.
London : 1806
This famous print shows Henry the VIII talking at court to Anne Boleyn, with a slightly despairing Cardinal Wolsey at right of picture. It is thought that the print was Hogarth's comment on the relationship of the Prince of Wales with Harriet Vane. The painting on which this print is based was hung for many years in Vauxhall Gardens. Learn More£210.00Stock Code: 54501
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HOGARTH, William, & T. Cook (engr.) Hudibras.
London : 1806
Hogarth's 12 prints illustrating Samuel Butler's poem Hudibras, were among his favourite works. The work is a satirical polemic upon Roundheads, Puritans, Presbyterians and many of the other factions involved in the English Civil War. The work was written in three parts in 1663, 1664 and 1678 although an unauthorised edition came out in 1662. Although... Learn More£300.00Stock Code: 54502
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HOGARTH, William, & T. Cook (engr.) A Harlot's Progress.
London : 1806
Moll is now dying of syphilis. Dr. Richard Rock on the left and Dr. Jean Misaubin on the right argue over their medical methods, which appear to be a choice of bleeding (Rock) and cupping (Misaubin). A woman, possibly Moll's bawd and possibly the landlady, rifles Moll's possessions for what she wishes to take away while Moll's maid tries to stop the... Learn More£120.00Stock Code: 56630
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HOGARTH, William. Bambridge on trial for murder by a committee of the House of Commons.
1806
Thomas Bambridge was a warder at the Fleet prison who was tried for cruelty to prisoners. In this print, a pitiable prisoner kneels in front of a committee of bewigged gentlemen. Bambridge is to the left of the print. Hogarth's father was imprisoned in the Fleet prison for debt, which made him sympathetic to the plight of prisoners. Engraved by T. Cook.... Learn More£230.00Stock Code: 54503
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HOGARTH, William FIRST STAGE OF CRUELY, SECOND STAGE OF CRUELY.
1806
Pair of Prints.
Originally printed in 1751, each print depicts a different stage in the life of the fictional Tom Nero.
Beginning with the torture of a dog as a child in the First stage of cruelty, Nero progresses to beating his horse as a man in the Second stage of cruelty.
The prints were intended as a form of moral instruction;... Learn More£95.00Stock Code: 56627
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HOGARTH, William. Hudibras
1822
Hudibras is a mock heroic narrative poem from the 17th century written by Samuel Butler.
The work is a satirical polemic upon Roundheads, Puritans, Presbyterians and many of the other factions involved in the English Civil War. The work was written in three parts in 1663, 1664 and 1678 although an unauthorised edition came out in 1662.
Twelve... Learn More£600.00Stock Code: 55757
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HOGARTH, William. Dr Benjamin Hoadly, Lord Bishop of Winchester.
1822
Heath was the last printer to print directly from Hogarth's original engraved plates. Learn More£95.00Stock Code: 57774
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HOGARTH, William. The Life and Works.
Philadelphia : 1900
The Commemorative edition, number ten of ten copies printed and specially bound by the publishers, this set produced for Alice S. Timayenis with her name printed on the limitation page in each volume and signed by Barrie on a tipped-in leaf at the front of volume I; with the plates in three states, printed on "India paper, Japanese vellum, and papier... Learn More£5,000.00Stock Code: 118680
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HOGARTH, William. Frontispiece and Tail Piece to the Artist's Catalogue 1761.
1822
These two prints, on one sheet, were produced for the artists catalogue of the Society of Artists exhibition in Spring Garden, Charing Cross, May 1761. On the lower image, produced as the tailpiece, the motif is intended as a satirical contrast to the frontispiece, which shows Britannia and George III watering the arts - here we see a monkey with a... Learn More£95.00Stock Code: 57339
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HOGARTH, William. King Henry the Eighth & Anna Bullen.
1822
This famous print shows Henry the VIII talking at court to Anne Boleyn, with a slightly despairing Cardinal Wolsey at right of picture. It is thought that the print was Hogarth's comment on the relationship of the Prince of Wales with Harriet Vane. The painting on which this print is based was hung for many years in Vauxhall Gardens. Learn More£210.00Stock Code: 57773
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HOGARTH, William. Paul Before Felix.
1822
Set of three plates. Heath was the last printer to print directly from Hogarth's original engraved plates. Learn More£250.00Stock Code: 57775
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HOGARTH, William, & T. Cook (engr.) The Election.
[London] : 1812
This progress, Hogarth's last, is based on the disorderly, riotous Oxfordshire election of 1754 in which the Duke of Marlborough, a Whig ("the New Interest"), challenged the entrenched Tories ("the Old Interest") in the established stronghold of the latter party. Aimed at the upper middle and upper classes, this series shows the cynicism of the aristocratic... Learn More£1,200.00Stock Code: 69850
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HOGARTH, William, & T. Cook (engr.) Royal Masquerade. Somerset House.Classical Hogarth scene of ladies playing cards at a table whilst a priest warms his hands by the fire and a costumed two faced lady speaks to gentlemen on either side. Mask in hand, new arrivals are welcomed. Learn More£220.00
Stock Code: 55759
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HOGARTH, William, & Robert Dodd (engr.) The Indian Emperor or the Conquest of Mexico.
1822
£220.00Stock Code: 59012
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HOGARTH, William, & T. Cook (engr.) Bambridge on trial for murder by a committee of the House of Commons.
London : 1806
Thomas Bambridge was a warder at the Fleet prison who was tried for cruelty to prisoners. In this print, a pitiable prisoner kneels in front of a committee of bewigged gentlemen. Bambridge is to the left of the print. Hogarth's father was imprisoned in the Fleet prison for debt, which made him sympathetic to the plight of prisoners. Learn More£150.00Stock Code: 56638
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HOGARTH, William, & T. Cook (engr.) Bambridge on trial for murder by a committee of the House of Commons.
London : 1806
Thomas Bambridge was a warder at the Fleet prison who was tried for cruelty to prisoners. In this print, a pitiable prisoner kneels in front of a committee of bewigged gentlemen. Bambridge is to the left of the print. Hogarth's father was imprisoned in the Fleet prison for debt, which made him sympathetic to the plight of prisoners Learn More£195.00Stock Code: 55772
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Artist: HOGARTH, William.Engraved by COOK, T. The Invasion: France. The Invasion: England.
1806
Two fantastic prints depicting the Invasion of France and England. " The Invasion" represents one of William Hogarth's most didactic sets of engravings. Created at the beginning of the French and Indian War (also termed the Seven Year's War) an invasion from France seemed probable. William Hogarth thus used this pair of engravings to boost public morale.... Learn More£200.00Stock Code: 57831
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Artist: HOGARTH, William.Engraved by COOK, T. The Invasion: France. The Invasion: England.
1806
Two fantastic prints depicting the Invasion of France and England. " The Invasion" represents one of William Hogarth's most didactic sets of engravings. Created at the beginning of the French and Indian War (also termed the Seven Year's War) an invasion from France seemed probable. William Hogarth thus used this pair of engravings to boost public morale.... Learn More£240.00Stock Code: 57832
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Artist: HOGARTH, William.Engraved by COOK, T. The Invasion: France. The Invasion: England.
1806
Two fantastic prints depicting the Invasion of France and England. " The Invasion" represents one of William Hogarth's most didactic sets of engravings. Created at the beginning of the French and Indian War (also termed the Seven Year's War) an invasion from France seemed probable. William Hogarth thus used this pair of engravings to boost public morale.... Learn More£240.00Stock Code: 57830
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Artist: HOGARTH, William.Engraved by T. Cook. INDUSTRY AND IDLENESS The Idle 'Prentice Betray'd by his whore, & taken in a Night Cellar with his Accomplice.
1806
In its primary theme Industry and Idleness, is William Hogarth's most direct moral statement in series form. Its primary purpose is to illustrate the benefits of sincere and honest work and the ruinous path awaiting those who follow the opposite course. To this end Hogarth portrays the progress of two apprentices, Francis Goodchild and Thomas Idle.... Learn More£95.00Stock Code: 57810
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Artist: HOGARTH, William.Engraved by T. Cook. INDUSTRY AND IDLENESS The Industrious 'Prentice Alderman of London, the Idle one brought before him & impeach'd by his Accomplice.
1806
In its primary theme Industry and Idleness, is William Hogarth's most direct moral statement in series form. Its primary purpose is to illustrate the benefits of sincere and honest work and the ruinous path awaiting those who follow the opposite course. To this end Hogarth portrays the progress of two apprentices, Francis Goodchild and Thomas Idle.... Learn More£95.00Stock Code: 57809
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Artist: HOGARTH, William.Engraved by COOK, T. First Stage of Cruelty. Second Stage of Cruelty.
1806
Two prints from the "Four Stages of Cruelty".The "First Stage of Cruelty" describes the cruelty of unsupervised boys. In the center Tom Nero (holding onto the post and wearing a wide brimmed hat) and an accomplice are plunging an arrow into the rectum of a dog. The "Second Stage of Cruelty", Tom Nero has reached adulthood and become a hackney coach... Learn More£200.00Stock Code: 57828
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Artist: HOGARTH, William.Engraved by COOK, T. March to Finchley.
1806
This magnificent print shows a chaotic street scene with the bleary-eyed King's Guards being rounded up after nights of debauchery, in September 1745. They are about to defend Londond from Bonnie Prince Charlie. Learn More£145.00Stock Code: 57829
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Artist: HOGARTH, William.Engraved by COOK, T. Paul before Felix.
1803
An interesting scene depicting the trial against the apostle Paul before Felix, the Roman procurator of Judaea. From the original painting in Lincolns Inn Hall painted by W. Hogarth. Learn More£95.00Stock Code: 57824
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Artist: HOGARTH, William.Engraved by COOK, T. Paul before Felix.
1803
An interesting scene depicting the allegorical version of the trial against the apostle Paul before Felix, the Roman procurator of Judaea. Learn More£95.00Stock Code: 57822
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Artist: HOGARTH, William.Engraved by COOK, T. Hudibras
1806
Hudibras is a mock heroic narrative poem from the 17th century written by Samuel Butler.
The work is a satirical polemic upon Roundheads, Puritans, Presbyterians and many of the other factions involved in the English Civil War. The work was written in three parts in 1663, 1664 and 1678 although an unauthorised edition came out in 1662.
Ten... Learn More£450.00Stock Code: 57827
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Artist: HOGARTH, William.Engraved by COOK, T. Hudibras Encounters the Skimmington.
1806
Hudibras Encounters the Skimmington comes from Hogarth's "Illustrations for Samuel Butler's Hudibras". A 'Skimmington' was an old custom in rural England and Scotland directed at either nagging wives or unfaithful husbands. An unruly procession was formed for the purpose of ridiculing the offender. Learn More£95.00Stock Code: 57826
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Artist: HOGARTH, William.Engraved by COOK, T. The Idle'Prentice at Play in the Church Yard, during Divine Service.
1806
In the Idle'Prentice, Tom Idle has neglected participation at the service in favour of gambling in the graveyard beside the church. The game actually takes place upon a grave and under Tom's reclining form the words, 'Here', 'Body' and 'Of', are visible. Thus the Idle Apprentice may very well be sitting upon his own grave. Learn More£75.00Stock Code: 57825
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Artist: HOGARTH, Wiliam.Engraved by COOK, T. The Bench. Sarah Malcolm.
1800
Two images on one plate. In The Bench Hogarth illustrates four pompous judges listening to a case in the Court of Common Pleas. Callously inattentive to the case before them, these undignified, pompous men, buried in their robes and wigs, slumber or read. Sarah Malcolm was convicted and hanged for the brutal murder of an elderly widow and her two servants.... Learn More£95.00Stock Code: 57818
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Artist: HOGARTH, Wiliam.Engraved by COOK, T. The Times. A Coutry Inn Yard.
1806
Two prints on one plate. The Times contains some of Hogarth's most pessimistic imagery upon the political machinations and corruptions of the day. A Country Inn Yard is one of Hogarth's notable engravings of the 1740s. Learn More£95.00Stock Code: 57814
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Artist: HOGARTH, Wiliam.Engraved by COOK, T. Simon Lord Lovat
1800
Hogarth etched Lovat's portrait at an inn in St. Albans on his way to trial and eventual execution. Knowing what awaits him, Lovat is busy at work upon his memoirs. Hogarth has here created the almost archetypal portrait of a psychopath. Both his devious face and gestures show no trace of remorse.This is truly a masterpiece of character examination.... Learn More£95.00Stock Code: 57817
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Artist: HOGARTH, Wiliam.Engraved by COOK, T. Sleeping Congregation. Masquerades and Operas, Burlington-gate. Columbus Breaking the Egg.
1806
Three prints on one plate. Hogarth's treatment of the Sleeping Congregation, the torpor caused by a country parson's sermon, foreshadows Rowlandson's satirical device of bringing together different types of individuals at a ludicrous social occasion. Columbus Breaking the Egg depicts an apocryphal tale concerning Christopher Columbus's response to detractors... Learn More£95.00Stock Code: 57813
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William Hogarth. Charity in the cellar.
1837
Classical Hogarth satirical and critical depiction of a group of man drinking, surrounded by bottles and implements. Engraved by Leney. Learn More£200.00Stock Code: 55760
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Artist: William Hogarth.Engraved by William Hogarth. SANCHO AT THE FEAST STARVED BY HIS PHYSICIAN
1822
Sancho is playing the part of the King attended by his Doctor and an array of characters include a priest, the village fool, a black servant, a buxom maid, ladies in waiting and being served by young waiters. Musicians are playing stringed instruments in the background. The print is cleverly engraved as to show a performance witnessed by both the participants... Learn More£90.00Stock Code: 57120
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HOGARTH,WILLIAM Martin Folkes Esq.
1822
Martin Folkes, (1690-1754), English antiquary, President of the Royal Society from 1741, replacing Sir Hans Sloane. Learn More£75.00Stock Code: 55782
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LITERARY PERIODICAL. Chance: New Writing and Art.
London : 1952-53
First and only editions. A scarce complete set of this interesting, if short-lived, literary periodical; contributors include Elizabeth Bowen, Joyce Cary, Peter Ustinov, Brian Glanville, Wolf Mankowitz, William Sansom, Muriel Spark, Denton Welch (a posthumous piece entitled "A Short Story"), Thom Gunn, and Cecil Day Lewis. There are illustrations by... Learn More£150.00Stock Code: 143742
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DICKENS, Charles. Signed invitation card with holograph entry in Dickens's hand and annotated playbill for the production of Ben Jonson's Every Man in his Humour, given by Dickens's company, the Amateur Players.
London : 1845
A superb memento of Dickens's theatrical high-water mark, his bravura performance as the "craven and boastful" Captain Bobadil in his own "strictly private" production of Ben Jonson's comedy Every Man in his Humour.
The invitation card in effect a ticket to the performance carries his characteristic flourished signature on the verso and a holograph... Learn More£12,500.00Stock Code: 143142
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WOOLF, Virginia. Roger Fry.
Toronto : 1940
First Canadian Edition, one of 525 copies only, printed from the British sheets, in the same year of publication as the Hogarth Press first edition. The present edition is scarcely found with the dust jacket, which used a different image to the London edition.
This copy has a highly distinguished collector's provenance, bearing the bookplate... Learn More£1,250.00Stock Code: 145072
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WOOLF, Virginia; BORGES, Jorge Luis (trans.) Un Cuarto Propio. (A Room of One's Own.)
Buenos Aires : 1956
Second edition in Spanish (earliest obtainable), first printing, of Woolf's feminist essay A Room of One's Own (1929). Borges produced the first translation into Spanish, which was also published by Sur, in 1936.
This copy has a highly distinguished collector's provenance, bearing the bookplate of William Beekman on the location. Much of Beekman's... Learn More£250.00Stock Code: 145680
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WOOLF, Virginia. Between the Acts.
London : 1941
First edition, first impression, in unusually nice condition. This is Woolf's final novel, published four months after her death. This copy has a highly distinguished collector's provenance, with the bookplate of William Beekman on the front pastedown. Much of Beekman's excellent Bloomsbury Group and Hogarth Press collection now forms part of the Berg... Learn More£1,000.00Stock Code: 144864
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WOOLF, Virginia. The Death of the Moth and Other Essays.
London : 1942
First edition, first impression, of Virginia Woolf's posthumously published collection of essays, which she was working on as a follow up to the Common Reader prior to her death, and subsequently seen through the press by her husband Leonard Woolf.
This copy has a highly distinguished collector's provenance, bearing the bookplate of William Beekman... Learn More£350.00Stock Code: 145083
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CLUTTON-BROCK, Arthur. Simpson's Choice.
London : 1915
First edition, first impression, one of 500 copies printed, this one hand-numbered by Roger Fry. Simpson's Choice was the first work to be published at the Omega Workshop, which was founded in July 1913, and was to be one of only four books completed by the press.
The original prospectus (not present here) stated the intention of this enterprise,... Learn More£3,000.00Stock Code: 146170
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CRADOCK, Hon. Mrs. (ed.) Views in Elf Land.
London : 1878
First and only edition of this uncommon book: Library Hub only gives three copies in the UK (V&A, Oxford, BL), WorldCat adds a further two in the US.
Harriet Cradock née Lister (18091884), novelist, was "a maid of honour to Queen Victoria for six years, from 1 July 1837, and was the only one to hold the post who was not the daughter or granddaughter... Learn More£375.00Stock Code: 138088
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WOOLF, Virginia. On Being Ill [in:] The New Criterion.
London : 1926
First edition, first impression, including the first appearance in print of Woolf's On Being Ill, which was written after experiencing a period of severe manic-depression and later first published separately by her at the Hogarth Press in 1930. This is a rare find, and especially so in such good condition.
On Being Ill (pp. 32-45) is here published... Learn More£1,250.00Stock Code: 145068
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DOSTOEVSKY, Fyodor. Stavrogin's Confession and The Plan of the Life of a Great Sinner.
London : 1922
First edition in English, first impression, in the first issue binding.
The texts, being a formerly unpublished section of Dostoevsky's The Possessed and a sketch of a novel he never completed entitled The Life of a Great Sinner, were found in Russian archives in 1921 and published there in 1922. The translation is taken from this printing -... Learn More£375.00Stock Code: 145253
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BELL, Clive. Ad Familiares.
London : 1917
First edition, sole printing, one of about 50 copies printed for private distribution, presentation copy to Bloomsbury Group affiliate, Lady Ottoline Morrell, incorporating the first printed word at the start of the text "Dear Ottoline".
Ottoline Morrell (1873-1938), an aristocrat and society hostess, who counted in her artistic and intellectual... Learn More£3,750.00Stock Code: 145465