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[Corrected typescript:] The Man with the Golden Gun.

Availability: In stock

Published: June-July 1964

Stock Code: 130451

OR On display in 43 Dover Street


The corrected typescript, used as the setting copy for Fleming's last Bond novel. By the 1960s the production of a new Bond novel followed a familiar routine. When Fleming was completing his text he would request that a set of clean typescripts be produced from it, which in this case he did on 14 April 1964. Fleming's text was sent to the typists in batches between 15 April and 16 June, and three sub-edited typescripts were completed by 24 June. This is one of those copies, presumably that which was sent to Fleming on 25 June and which, with Fleming's light revisions, was then sent to William Plomer at Cape on 1 July. Fleming was not satisfied with the text and planned to revise it in Jamaica the following year so he did not wish the typescript to be circulated within the wider editorial team. Plomer wrote that he "much enjoyed the book as it is" but the question of further revision soon became moot: Fleming's health, which had been poor for some time, was in rapid decline and he died on 12 August. This typescript therefore almost certainly contains Fleming's last ever work on James Bond. Kingsley Amis, considered something of an expert on the Bond oeuvre, was hired to oversee editing work on the book. This typescript, including as it did the author's final changes, was then sent to the printer for use as the setting copy. Fleming's revisions tighten the prose and clarify the action. He revises some key moments - such as the description of Scaramanga's "golden gun" (p. 26) - but the most telling change is the addition of the three sentences that end the novel, and which perhaps give a telling insight into Fleming's troubled state of mind in his final weeks: "At the same time, he knew, deep down, that love from Mary Goodnight, or from any other woman, was not enough for him. It would be like taking 'a room with a view'. For James Bond, the same view would always pall."

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182 numbered pages, with an additional 5 pages of preliminaries (half-title, title page, list of Fleming's other books, imprint, and contents page), one leaf cancelled and with the revised text supplied in contemporary photocopy, quarto (255 x 200 mm), with a single typescript page of suggested corrections by Kingsley Amis that were later adopted in proof (with a note to that effect in Amis's hand at head), the first page of text with a note from the printer, Richard Clay & Co., requesting the return of marked proofs by 29 December 1964. Bound in an elaborate custom black morocco folder by the Chelsea Bindery, spine lettered in white, front cover with famous image in relief on white ground of Bond in profile through the barrel of a gun, patterned endpapers, all housed within black cloth slipcase.


Noted as the setting copy, with Fleming's autograph revisions in blue ink to about 80 pages, notably the addition of two sentences at the end of the novel, and extensive editorial corrections in red, green and black ink, including some further revisions p


Staining to some leaves, some creasing, final leaf torn without loss; overall in very good condition.


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